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But I’ve been working with Todd now for so many years, he’s really good about recognizing that the plan is only working if it’s working. The halo of white does not simply represent the sanitorium.
The final scene of Joker is like none other in the rest of the film. Here are the most disturbing moments.
It’s heartbreaking. The cinematographer recently chatted with Observer about how he approached this origin story for the Clown Prince of Crime, his rapport with Phillips, and why he didn’t set out to make a comic book movie at all. I’ve seen this idea bounced around, but I’m not inclined to believe it.
But the joke didn't quite go to plan because, according to Sher, Phoenix is "such a good actor that nobody even got it on set". Prior to this moment, most of the shots are shellacked with the oozy gloss of ’80s New York City, the nightmare realm of Martin Scorsese’s Mean Streets and Michael Winner’s Death Wish.
Famously with the bathroom scene, we shot early in the shoot, within the first 10 days. His latest film, Joker, is arguably the most controversial mainstream film of 2019, polarizing audiences before, during, and after its wide release.
It’s very meditative and so the camera movement is very slow, the composition and the framing and the lighting and all those things could possibly help draw the characters in even more.
The last laugh, however, belongs to another.
He’s won, and no prison of concrete or mind can hold him. 'Joker' director: Film shouldn't be linked to real-life violence, Writer-director Todd Phillips says it isn't fair to link his film "Joker" to real-world violence. It was just a lovely little scene. So certainly over the latter half of shooting the movie I think we really got into this idea of more free-form, figuring stuff out with Joaquin and just letting things happen. The other side is the façade, the mask that he puts on for the outside world, the face that is smiling but is hiding darkness underneath that is waiting to come out. In large part, the first act is all about making a connection to Arthur, because even going into the movie, everyone knows eventually this person is going to turn to a place of darkness and violence. “[Todd Phillips and I] talk about, scene-to-scene, the intent of the scene emotionally.” Warner Bros.
Because some actions are shown to be fantasy means you cannot take Arthur’s POV at face value.
** Major spoilers ahead, so stop reading now if you don't want to know.
What you see in the movie is the first take, maybe the second take. He’s almost begging him not to fire him because he really wants his job, he needs his job.
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Ending Explained is a recurring series in which we explore the finales, secrets, and themes of interesting movies and shows, both new and old. We do not know how he got here. We didn’t want to give away more of the clues. According to Joker's cinematographer Lawrence Sher, who the outburst was aimed at, the whole thing went over everybody's heads because Phoenix is "such a good actor". I love that kind of stuff.
You want to plan everything because you want to get off to a good start and you put some of the ideas forward so you can see if it sticks. Heck, it could be Arthur or Blow Out, which are also advertised, but knowing the future of the kid, it had to be the masked vigilante movie, right?
I’ve always felt like those longer lens perspectives serve an almost voyeuristic view into a person’s life and to some extent can make you feel more like a fly on the wall.
The last we saw him, Arthur was standing atop a wrecked police car observing the chaos he unleashed while clown-masked acolytes gathered at his feet.
Todd and I, our number one thing always is, whatever we do, we want to do it with intent, but we never want to feel self-conscious.
We have a lot of handheld stuff in the movie because we love it but we also use techniques—cranes, dollies, all this stuff, steadicam. Observer: Joker revolves around Arthur’s metamorphosis.
Particularly in the opening five or six scenes, we went more on longer lenses. We are an audience raised on 80 years of Batman stories, and we know that the Dark Knight will arrive to challenge the Clown Prince of Crime’s hysterical nihilism.
The scene captured on the movie poster of Phoenix dancing on a set of stairs in the Bronx, New York, has become a star in its own right. So when Arthur is with the world at large, we try to see him small within that world with longer lenses and then the empathy and the connection with Arthur really comes once we’ve reached his apartment with his Mom and that’s when we start to go to more wider lenses, more connected lenses with him. Joker is one of the best comic book movie i ever see I love this movie all quotes thanks this site is awesome. This time, Joker did not pull the trigger as he did in Batman ’89, but the furor he ignited is just as responsible. He lies, he tells stories. Phillips and the entire "Joker" cast and crew will hit the red carpet Sunday Feb. 9 to await the Academy's decision for the film's 11 nominations. The stagehand doesn't see him stop, and drops the curtain back on Joker before the audience can really see his face-- Tangling Joker up in the curtain.
Phillips, who worked on comedy movies including "Old School" and "The Hangover," said he and his longtime friend and co-producer Bradley Cooper "couldn't have predicted" their successes nearly a decade sooner while working on the Las Vegas comedy.
Niko Tavernise/Warner Bros. Lawrence Sher has worked on variety of movies over his 30-year career as a cinematographer and director of photography: critically acclaimed independent hit (Garden State), blockbuster comedy franchise (The Hangover trilogy), tentpole monster movie (Godzilla: King of the Monsters), etc. Phoenix’s troubled character has dealt with unsupportive social workers, street hooligans and dismissive, angry fellow Gothamites when he fatefully gets on a subway train. The first teaser trailer for Joaquin Phoenix's "Joker" has been released. 'Joker' director reveals what Joaquin Phoenix was really like off-camera originally appeared on goodmorningamerica.com.
Batman shows up to save her, prompting the Joker to break the glass and dangle Rachel from the window. “The first time we’re in a wider lens, physically closer to Arthur, is only after the kids beat him up and run away.” Lawrence Sher/Warner Bros. What else did you discuss in terms of the visual approach to the movie before production actually began? 19 Things We Learned from Ben Wheatley’s ‘Kill List’ Commentary, The 10 Best Moments From ‘The Eric Andre Show’, ‘The Witches’ Brings Horror to a New Generation, What’s New to Stream on Hulu for November 2020, The Sound Design of ‘Toy Story’ is All About Balance, All the Horror You Need to Stream in November 2020, What’s New to Stream on Netflix for November 2020, The ‘Walking Dead’ Comics Offer a Parade of Pain and Pleasure. Joker was a really cool combination for us, working on that philosophy of no rehearsals, just feel it out with the actor, but also some scenes that are very planned out.
Joker was a really cool combination for us, working on that philosophy of no rehearsals, just feel it out with the actor, but also some scenes that are very planned out.
It’s interesting because we didn’t set out to make a “comic book movie.” I don’t even know what that means really, but we’ve been inundated with twenty-something Marvel movies, a half dozen DC movies, so I think we now have a perception of what a quote-unquote “comic book movie” is. Lawrence Sher/Warner Bros. It’s exciting for me, it’s exciting for the operator, it’s exciting for Joaquin to know, if I do something, it’s being captured. He’s not living in a padded cell, he exists in heaven, and his new residence gives him the giggles. We’re shooting from across the street, far away. One of the jerks sings “Send in the Clowns” at him and they proceed to beat him up. The clip ends with Phoenix saying, "Fuck! You feel his pain and you could feel his journey even through those stills. The entire movie exists in a holding pattern against a well-known continuity of heroism, and while Joker certainly thumbs its nose at that accepted superhero chronicle, it must succumb to its established history. Ultimately, when I look back at it I'm not surprised that a movie called Joker made so many people crazy," he said. Seeming to respond to being called Cher on-set because of his diva antics, Phoenix continues: "I know you started the fucking Cher thing, Larry... You think it's fucking funny making fun of me.".
Tags:BatmanEnding ExplainedJoaquin PhoenixJokerTodd Phillips. One thing, early on in the prep of the movie, that Todd and I discussed is our shadow self. "To inhabit the character of Arthur slash Joker in the movie, he had to go to some dark places," the filmmaker said. Batman shouts, "Let her go!"
The conscious choice was to not put a bunch of clues in there, particularly visually, because we wanted there to be a certain level of interpretation for the audience. Discover unique things to do, places to eat, and sights to see in the best destinations around the world with Bring Me!
Arthur is a super-fan of Gotham TV host Murray Franklin (Robert De Niro) but begins to sour on him when the host mocks Arthur's stand-up routine on his show and even gives him the name “Joker.”. Our intent was to make this psychological study of a man and his metamorphosis. In this entry, we explore the ending of Joker. Or, possibly Excalibur, which is another poster featured in the theater window and the movie the Waynes were watching on their fateful night in Batman v Superman: Dawn of Justice. He was triumphant, ushering his fellow citizens to a deliverance of madness. Could the blinding whiteness indicate a separate level of reality? The first time we’re in a wider lens, physically closer to Arthur, is only after the kids beat him up and run away, and that’s the first time we’re telling the audience that when we are alone with Arthur, this is the camera perspective that we are privileged to be in. A place to discuss all things related to DC's Joker character. We shot it under the Brooklyn Bridge, we shot it at dusk, he’s in this little phone booth with yellow light over him, and so we shot with two cameras as we often do, and we were on a technocrane that started really far back and ever so slowly pushed in all the way to that shot where he cracks his head on the glass and it was like a “Wow” moment. As the Waynes retreat through an alleyway, a clown-masked individual skulks behind them. But we did sort of say, with the Sophie and Arthur relationship, which obviously is proven to be a fantasy in his mind later in the story, there will be no handheld with Sophie and Arthur to represent.
"It got painted very early with a brush that the violence in it was irresponsible and we felt differently. I watched Joker today and was thoroughly impressed, it was probably one of the best films I've seen in recent times.
Ben Henry is a celebrity reporter for BuzzFeed UK and is based in London. This time, Joker did not pull the trigger as he did in Batman ’89, but the furor he ignited is just as responsible. “It was more something I looked for each day and thought perhaps this movie could be the kind of thing where you can pause on a still and you know exactly what’s happening to Arthur in that frame.” Lawrence Sher/Warner Bros. Did Thomas Wayne (Brett Cullen) sock him in the jaw when confronted about his genetic link to Arthur?
Joaquin Phoenix. So all we need is steadicam one and dolly once he’s gone into this fantasy boat. “What’s so funny?” asks the social worker.
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